Mediterranean Israeli music and the politics of the aesthetic

  • 251 Pages
  • 4.44 MB
  • 1542 Downloads
  • English
by
Wayne State University Press , Detroit
StatementAmy Horowitz
SeriesRaphael Patai series in Jewish folklore and anthropology, Raphael Patai series in Jewish folklore and anthropology
Classifications
LC ClassificationsML345.I8 H67 2010
The Physical Object
Paginationxvii, 251 p. :
ID Numbers
Open LibraryOL24419258M
ISBN 100814334652
ISBN 139780814334652
LC Control Number2009037071
OCLC/WorldCa437054081

In Mediterranean Israeli Music and the Politics of the Aesthetic, author Amy Horowitz investigates the emergence of a new pan-ethnic Mizrahi style of music between the s and s, as the community struggled to gain recognition on the overlapping stages of politics and music.

Mediterranean Israeli Music and the Politics of the Aesthetic is a thoughtful and timely study on the relationship between politics, identity, and art." (Karen Armstrong author of The Case for God).her compelling book successfully presents a loving and nuanced portrait of contemporary Israeli society and culture unfortunately all too rare in Cited by: North Charles Street Baltimore, Maryland, USA +1 () [email protected] © Project MUSE.

Produced by Johns Hopkins University Press in collaboration with The Sheridan Libraries. Get this from a library. Mediterranean Israeli music and the politics of the aesthetic.

[Amy Horowitz] -- "An ethnographic study of the emergence of a pan-ethnic style of music in Israel between the mids and mids. This two-decade period encompasses the coming of age of the Middle Eastern and.

Details Mediterranean Israeli music and the politics of the aesthetic FB2

Mediterranean Israeli Music and the Politics of the Aesthetic: Amy Horowitz: Books - 3/5(1). Download Mediterranean Israeli Music and the Politics of the Aesthetic Free Ebooks in PDF format.

Download free ebook of Mediterranean Israeli Music and the Politics of the Aesthetic soft copy pdf or read online by"Amy Horowitz"Published on by Wayne State University Press.

In Mediterranean Israeli Music and the Politics of the Aesthetic, Amy Horowitz beautifully unravels and describes many of the interesting and unique processes that explain how, why, and by whom The music, a hybrid outpouring from Israel's ethnic ghettos, is at the core of an emerging community identity.

Mediterranean Israeli Music and the Politics of the Aesthetic, by Amy Horowitz. Detroit: Wayne State University Press, pp., illustrations, photos, CD. $ Back inmy colleagues Pamela Squires-Kidron, JeffHalper, and I opened a lecture in an academic conference on music in Israel held in Tel Aviv by playing the song "Eizo.

Mediterranean Israeli Music and the Politics of the Aesthetic. Amy Horowitz Wayne State University Press, The relocation of North African and Middle Eastern Jews to Israel in the s and s brought together communities from Egypt, Iraq, Kurdistan, Yemen, and many other Islamic countries, as well as their unique music styles.

Mediterranean Israeli Music and the Politics of the Aesthetic “Amy Horowitz brings a sonic snapshot of a dynamic music culture that is constantly evolving – one that she claims had already changed its contours before she wrote the last sentence of this book.

Description Mediterranean Israeli music and the politics of the aesthetic FB2

Art and Music. Mediterranean Israeli Music and the Politics of the Aesthetic, by Amy Horowitz. Detroit: Wayne State University Press, pp. $ ISBN This book examines a pan-ethnic style of music created by North African and Middle Eastern Israeli musicians in the late twentieth century.

Mediterranean Israeli Music and the Politics of the Aesthetic, by Amy Horowitz. Detroit: Wayne State University Press, pp., illustrations, photos, CD. $ Back inmy colleagues Pamela Squires-Kidron, Jeff Halper, and I opened a lecture in an academic conference on music in Israel held in Tel Aviv by playing the song "Eizo medinah" ("What a.

Itzik Kala (Hebrew: איציק קלה) is an Israeli singer of Kurdish Jewish descent who sings in Aramaic, Kurdish and Hebrew. He has released over 30 studio albums. He is married to Ziona Kala. References. This article about an Israeli singer is a stub. You can help Wikipedia by expanding it He is married to Ziona Kala.

References. Daklon (born Joseph Levy; 6 April ) is an Israeli was born in Tel Aviv's Kerem Hateimanim neighborhood, the son of Jewish immigrants from the Shar'ab region in Yemen. Daklon explains the source of his nickname: "In those days everyone in the Kerem had a nickname.

Your given name was a form of identification. Amy Horowitz has three decades of experience in the academy, the music industry, and grassroots arts networks. Her main research interests are Mediterranean Israeli Music, (a form of contemporary popular Israeli music created by Israeli Jews from Islamic countries), the study of cultures in disputed territories, the folklore traditions of contemporary Jerusalem, and protest.

Click Here “Mediterranean Israeli Music and the Politics of the Aesthetic.” Book Review, Sephardic Horizons Online (2/1) (). Book Review, Sephardic Horizons Online (2/1) (). Click Here “Maqām and Liturgy: Ritual, Music, and Aesthetics of Syrian Jews in Brooklyn.”. Mediterranean Israeli Music and the Politics of the Aesthetic () Jordan Schnitzer Book Awards Honorable Mention in Social Science, Anthropology, and Author: Zena Burns.

In Mediterranean Israeli Music and the Politics of the Aesthetic, author Amy Horowitz investigates the emergence of a new pan-ethnic Mizrahi style of music between the s and s, as the community struggled to gain recognition on the overlapping stages of politics and : Rachel Leket-Mor.

Both of these statements prove significant to Amy Horowitz’s life, as described in her book, Mediterranean Israeli Music and the Politics of the Aesthetic (Wayne State University, ). While in Israel inshe discovered something striking while making her way between buses in Tel Aviv’s old Central Bus Station.

Mediterranean Israeli Music and the Politics of the Aesthetic, by Amy Horowitz. Detroit: Wayne State University Press, pp., illustra-tions, photos, CD.

$ Back inmy colleagues Pamela Squires-Kidron, Jeff Halper, and I opened a lecture in an academic conference on music in Israel held in Tel Aviv by play. Music. Israeli music, much like Israeli society as a whole, is a tapestry of multiple influences, cultures and geographic origins.

Since the beginning of Zionism’s footprint in the land of Eretz Yisrael, music has been a significant element of early Zionism, Jewish growth in the period before the state, and then in Israeli culture since Mediterranean Israeli Music and the Politics of the Aesthetic Amy Horowitz Examines a pan-ethnic style of music created by North African and Middle Eastern Israeli musicians in.

Her book, Mediterranean Israeli Music: The Politics of the Aesthetic won honorable mention in the Jordan Schnizter book award at the Association for Jewish Studies in Distinctions: Excellence in Teaching Award, International Studies Program, Indiana University, Session 6: The Rise of Mizrahi Music Amy Horowitz, Mediterranean Israeli Music and the Politics of the Aesthetic, pp.

33 – 84 Regev and Seroussi, Popular Music & National Culture in Israel, pp.

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– Session 7: The King - Zohar Argov Horowitz, Mediterranean Israeli Music and the Politics of the Aesthetic, pp. 85 -   Book review: Date: Jan 1, Words: Previous Article: Louis I. Kahn's Jewish Architecture: Mikveh Israel and the Midcentury American Synagogue. Next Article: Art and Music: Mediterranean Israeli Music and the Politics of the Aesthetic.

Topics. Horowitz, A., Mediterranean Israeli Music and the Politics of the Aesthetic. Wayne State University Press (Detroit, ). Wayne State University Press (Detroit, ). Google Scholar. Cassettes played a large role in negotiating, what Amy Horowitz calls in her book, Mediterranean Israeli Music and the Politics of the Aesthetic ‘disputed cultural territories’, and striving for cultural legitimacy and recognition in Israel.

Today – although the socioeconomic conditions of the Mizrahim and the disparities between them and. Music career. He started composing at the age of five, began his formal music training one year later, and composed hundreds of popular songs. Among them were songs for the Israel Defense Forces, film, and theater.

He collaborated with Chaim Hefer and Matti Caspi, two of whose albums feature melodies written exclusively by Argov. Inhe was awarded the Israel Prize in Born: November 5,Moscow, Russian Empire. Inher book Mediterranean Israeli Music and the Politics of the Aesthetic received honorable mention from the Jordan Schnitzer Book Award.

Photo by Lanny Linehan Netsanet Negussie. Follow Amy Horowitz and explore their bibliography from 's Amy Horowitz Author Page. The Raphael Patai Series in Jewish Folklore and Anthropology book series by multiple authors includes books The Jews of Kurdistan (Jewish Folklore and Anthropology), Our Lives Are but Stories: Narratives of Tunisian-Israeli Women, A Narrative Community: Voices of Israeli Backpackers (Raphael Patai Series in Jewish Forklore and Anthropology), and several more.Mediterranean Israeli Music and the Politics of the Aesthetic.

ISBN Download Mediterranean Israeli Music and the Politics of the Aesthetic by Amy Horowitz Download The Dragon Earl (the Regency Rags to Riches Series, Book 4) by Jade Lee. This Book was ranked 13 by Google Books for keyword Theory of Audible Politics New Release Books.

Mediterranean Israeli Music and the Politics of th Politics as Usual PDF Free; History of Putnam County, Ohio PDF Free The Aesthetic Imperative PDF Free.